Monday, November 21, 2011
Privacy and Piracy
If you've ever wondered just how exposed you truly are, go ahead and Google your own name sometime. It's remarkably disturbing, the things that pop up. I guess, since I have two different social networking accounts and a blog, I should be used to it.
So, if I'm all over the Internet (not really, but for argument's sake), then how much of my information actually belongs to me? The art I post on Facebook, the words I write here, do those still belong to me? Are they mine, and mine alone, or do they now belong to the world?
The same question applies to any other form of media. If an artist releases a video on, say, YouTube, does it really still belong to that artist? Does a song still belong to the musician after it's bought and paid for online? Or is it public property, free to be distributed at the leisure of the users?
I cannot help but feel that the Internet has caused art to head towards the latter, rather than the former. But is that really such a bad thing? If a person cannot share your art with others, in any way, does that promote your name? What benefit do you have from keeping your work bottled? While royalties might produce some income, I feel it's safe to say actual performances and appearances are more profitable. If notoriety increases your worth, isn't it more beneficial for you to gain popularity in any way possible?
People who share music do not claim to have created the song, nor do they claim to be the artist. That is where I feel a line should be drawn- I'm not opposed to the sharing of art and media, but I am opposed to plagiarism. If I saw my writing on another site, I would be flattered- until someone claims those words as his or her own.
But how does anyone enforce something like this, except on a case-by-case basis? There is no foolproof way to verify the creator of something, unless their rights to the creation are enforced absolutely. This, however, is an impossible feat- the Internet is far too large for an entity to monitor everything equally.
I suppose this is the motivation for Congress's latest, sad attempt to do such policing. In this proposed piece of legislature, the users would become the police, reporting websites they personally deem in violation of vague copyright laws. This bill, however, gives law enforcers the ability to shut down access to reported websites without the due process that has served as a cornerstone of our judicial system.
The bill is so poorly-written, so vague, that it can only serve to harm the free flow of information over the Internet. Giving a government agency permission to condemn any reported website so blatantly violates freedom of speech.
I guess the question here is whether access to the Internet is a right or not. On the one hand, it is a channel for people to express themselves. On the other, however, there is no such thing as free Internet- we are required to pay some company in order to gain access. Is it our right to make ourselves more vulnerable, to give away information about ourselves, or is it a privilege to do so? If being on the Internet means that we give up certain parts of ourselves, would information such as music and art not also fall under this truth? Don't artists give up their right to absolute control when they choose to be a part of the Internet?
These are questions that are not about to be answered on my blog, or any blog. It is entirely possible that there are no answers, that the best we can do is come to an agreement on how to handle the Internet. However, the current approach is outdated and dangerous; we cannot use arcane methods to deal with such a modern problem. We need a modern solution.
Friday, November 18, 2011
Thoughts on the 99%
Thursday, October 27, 2011
A Story about Depression
Tuesday, October 4, 2011
Thanks for the Concern, Rick, but No.
Saturday, September 10, 2011
Parenting Tips
Friday, September 9, 2011
Remembrance
Wednesday, August 31, 2011
To Sympathize with the Sardine.
Monday, July 18, 2011
Adventures in Xenophobia
Tuesday, July 12, 2011
A fabulous little paragraph that deserves recognition.
Why are fire engines red?
Newspapers are read, too. Two plus 2 is 4, 4+4 is 8, and 8+4 is 12. There are 12 inches in a ruler. Queen Mary was a ruler. Queen Mary was also a ship at sea. The sea has fish, the fish have fins, and the Finns fought the Russians. Russians used to be red, and fire engines are always rushin’.
That’s why fire engines are red.
That is all.
Monday, June 20, 2011
Idiotic Beauty Contestants Insult My Science
Wednesday, June 15, 2011
A Year in Salt Lake
Monday, June 6, 2011
Back Pain Inspires Political Ravings
Saturday, April 30, 2011
For Edward Lahey, my grandfather
If there is one regret I have, it is his absence from my life.
There is no beauty in the image of the starving artist, let me tell you. There is no elegance in the tragic life and death of an underappreciated poet, and those who go in search of some kind of meaning in that are fools who have never seen such a thing first-hand. These people who romanticize the idea of being a tortured creative genius have never felt the pain inflicted on the family of sad genius. But there is a kind of magnificence in the kind of artist who suffers as he had and still makes art of it.
I don’t intend to glamorize his life in any way, because it’s not my place to do so. I never knew him on a personal level, not in the same way my mother, my aunt, or even my sister knew him. I didn’t have much of a relationship with him, and while maybe some of that is based in the lack of opportunities I had to be with him, it’s mostly my fault. It’s mostly because I viewed him as being old, and frail, and a broken person who was not worth my time. I was in the pig-headedness of youth, and some strange person with whom I’d had little personal contact was the furthest of my interests. He wrote me letters, and to some I may or may not have responded, but the vast majority were read and put away.
In my defense, I kept every letter he wrote me, so maybe that counts for something. I’m not sure why I kept them; perhaps it was easier to keep them to throw them away, but I think it’s more likely that I kept them to have some proof that he was in my life. He was in my life, even if it was merely in words written on paper.
I do not remember the sound of his voice. I do not even remember just how tall he was, or when I saw him last. I don’t remember the last time I spoke to him. I remember only snippets of the times we visited him, and even these are too abstract to place chronologically- there was a carousel one time, there was a stream with a foot-bridge over it another. I only have a handful of gifts from him, and of these I don’t particularly remember when I actually received them.
The way I know him is the way I would like to think he would prefer to be remembered. I know him because I know his writing. I know the cadence of his language, his choices of vocabulary. His writing speaks a kind of poetry that is not flowery or weak; it is concise and speaks in the voice of a real person, someone who sees the exquisite detail of the world, but trusts that the reader to see it, too. His writing is sensitive, and it is crude. It is a full-bodied range of emotions which few writers ever manage.
I would like to think this is a trait we share. I would like to think that when I write, I write as he wrote, with an exactness that leaves a certain amount of detail up to the reader. I would never claim to know him the way others knew him, but I would claim to know him in a way others did not. I think that writing for some people, for people like him, and like me, is not just a hobby, or a talent, but an extension of the brain. I write when I am upset, when I’m happy, when I’m angry or insecure, and my writing reflects my emotions in ways I could never convey any other way. I think that this is how I knew Edward Lahey- when there was no way to describe something in person, there was always a way to write it. Even if I didn’t speak to him, his writing spoke to me. His life was a hard one, and that shows through in his writing, but what shows through more was that it was a life. Behind those words, there was a person with thoughts and feelings. While I may not have appreciated him as a common person, I appreciate him for his writing, and for the unique artist that he was. It pains me to think that there are no more words that he will write. I don’t write to speak for him, but I certainly write because of him. I write because I was inspired in his manner of recording the world he saw. His view of the place he called home will be missed, and it will never be replaced.